Monday, 19 August 2013

What's this about then?

What's this about then?

The 'Mabinogion' are a collection of Middle Welsh prose tales which were first grouped together by Lady Charlotte Guest, who translated them into English, in the 1830's and 1840's. A good number of re-translations have appeared since that time and each one has brought fresh insights into these complex tales. They have also generated a great deal of scholarly comment in books and in essays in specialist academic journals which have explored a wide range of themes through: origins - dating the compositions, to comparitive analysis – International Popular Tales, Celtic Affinities, to narrative structure and to thematic structure - Myth and Tradition, Sovereignty, Gender, Inheritence and Lordship, Friendship and Marriage.

However, up until very recently one aspect of these stories has received scant attention from Mabinogi scholars, and it is this: characters from several of the tales of the Mabinogion are associated, in Welsh tradition, with the Classical or Ptolemaic constellations. For instance the Milky Way is called Caer Gwydion after the enchanter from the Fourth Branch, Corona Borealis is Caer Aranrhod after Gwydion's sister, Cassiepeia is Llys Don (Don's Court) after their mother. Others have associated Arthur, who appears in five of the tales, with Ursa Major or with the lucida of Bootes – Arcturus. In the 19th century, that infamous forger of Welsh manuscripts Iolo Morgannwg, (perhaps pointing to one of the reasons why this subject has been largely avoided) published a list of what he claimed were ancient Welsh names for the (presumably Ptolemaic) constellations, other than those just mentioned he cited a further eight, possibly ten, constellations named after characters who appear in the tales of the Mabinogion (to include here Hanes Taliesin), though unfortunately it is rarely clear which constellation is meant. Anyway, they are: Arthur's Harp (?Lyra), The Grove of Blodeuwedd, The Chair of Teyrnon (?Cepheus), Caer Sidi (?The Milky Way), The Cauldron of Ceridwen (?Crater), The Horse of Llyr (?Pegasus), Elffin's Chair, Olwen's Hall (?Milky Way) and The Woodland Boar (?Lupus).

I wondered what lay behind all this. How far back did these associations go? Were the authors of these old tales aware of these stellar connections, and if so, does this come across in the texts? Years of trying to find answers to these and related questions in the academic literature proved almost entirely fruitless, so I decided to conduct my own inquiry, I began by asking: Did Llew Llaw Gyffes, the 'Hero' of Math have any connection to the constellations? The answer to this question was definitely in the affirmative.

In 2012 professor Arfon Rees of Birmingham University published 'The Mabinogi Decoded' in which he independently made several identifications which agreed fully with my own findings. But in other areas I disagreed with his methods, particularly in his use of the modern constellations. The purpose of this site, then, is to set down my own musings concerning these matters and thereby to broaden this debate. To this end, I therefore welcome any criticism, comments and ideas.

JT. Aug 2013






Saturday, 17 August 2013

'The Journey of the Swine'

'The Journey of the Swine'


The Journey of the Swine according to JK Bollard.1


Gwydion is the most mobile of all the individuals in the Fourth Branch of the Mabinogi and his movements there are characterised by their circuitousness, one could say by their circularity. This aspect of Gwydion finds echo in his traditional association with the Milky Way which is known in Wales even now as Caer Gwydion, Gwydion's Fort. This tradition can be traced from the present day through many writers in the 20th century to Lady Charlotte Guest and Iolo Morganwg in the 19th, to Lewis Morris in the 18th, John Jones Gelli Lyvdy in the 17th, David Johns and William Salesbury in the 16th, Lewis Glyn Cothi in the 15th to Gruffudd Grug in the 14th century. In other words the association of Gwydion with the Milky Way was current as the White Book of Rhydderch and the Red Book of Hergest were being compiled. Indeed, Mark Williams (perhaps following Gruffydd), has mooted that “It may represent a variant of the story of Gwydion older than that represented in the Mabinogi”.2 Although to be fair he also says it may be a later development. The circularity of the Milky Way and its motion across the sky has not, as far as I know, been compared before with Gwydion's circuitous movements in the variant of Math which we do possess in the Red and White Books. W. J. Gruffydd for instance cites the John Jones Gelli Lyvdi account of Gwydion searching for Huan (Llew Llaw Gyffes) in the Milky Way on two occasions but never once is he moved to question the origins of this astronomical tradition. Mabinogi scholars in general have paid scant attention to this interesting question.

When we first meet Gwydion, at the start of the tale, the author immediately emphasises this characteristic when he contrasts Math's inability, (whom I think the author equated with Cepheus, see 'The Astronomy of Math vab Mathonwy. (part 1)) against Gwydion's ability to make a circuit of the land:

(Math) found his tranquillity at Caer Dathyli in Arfon, and he might not go the circuit of the land, save Gilfaethwy son of Don and Gwydion son of Don, his nephews, his sister's sons, and the war-band with them, would go the circuit of the land in his stead.

This 'circuitous' motion of Gwydion here may not seem significant in itself, it is surely just a figure of speech apparently referring to the cylch or 'royal circuit', but this emphasis surfaces again on his return journey from Rhuddlan Teifi in quite an astonishing way. What is often described as Gwydions circuitous flight with the pigs of Annwfn has been the subject of a great deal of discussion, but it is now universally accepted that this is an onomastic episode, to explain how various places came to have a name associated with pigs.ii W.J. Gruffydd, however, early recognised that this interpretation falls short of a full explanation:

Now Gwydion, as he himself states, was in a great hurry to reach Arvon and Caer Dathal before the men of Dyfed should overtake him, and his obvious course was the (direct) one which Pryderi took... Instead of that he started away from the coast, went to the uplands of Ceridigion, and went further out of his way through Elenydd in the Pumlumon district, and to the district between Keri and Arwystli, almost on the march of England. He then turned northwards, and came to Rhos, the district around the modern Colwyn Bay. He was now far to the eastward of his destination, and so he had to come west towards Caer Dathal, passing through Arllechwedd.

He goes on to observe that:

...there was no dearth of Mochtrevs in Wales; every manor had one...So we cannot suppose that Gwydion is made to take this devious route in order to pass through Mochtrev and Mochnant.

This is his route as we have it in the Red and White books:

From (somewhere near, see below) Glyn Cych (Valley of Pigs) to Mochdrev (Pigtown) in the hills of Keridigyawn; from there across the Elenid and then stopping between Keri and Arwystli in a second town called Mochdrev. From there through a commot in Powys called Mochnant (Pigstream). Then they made for the cantrev of Rhos and spent the night at a third town called Mochdrev. The next day they headed for the Upper Town of Arllechwedd, where they made a sty for the swine, and so the town is now called Creuwryon (Gwydion's Sty). They then go to Caer Dathyl where it is announced that a sty has now been made for the pigs “in the other cantref below”. Gruffydd pointed out that Creuddyn (Stronghold of the Sty) in Ceredigion and Creuddyn in the cantref of Rhos dovetail into either end of the route, and he supposed these also formed part of the original route.
 
 It should be remembered that the traditional Welsh pigsty was a circular, stone built, beehive construction. This is what the author of Math would have imagined  Gwydion's sties to look like. I am reminded of another circular, conical structure which occurs later in the tale, this is the thatched, circular roof beneath which Lleu Llaw Gyffes must stand 'in order that he may be slain', (See 'The Death of Lleu Llaw Gyffes'). Without referring to the circles which Gwydion's 'pig route' traces across Wales, there are at least two more circular images in Math, (discussed below) these are the twelve (circular) mushrooms or toadstools and the twelve (circular) golden shields which Gwydion 'created by illusion' from the mushrooms. This is a theme, and I hope to show that each of these images of radiated circles carry a similar, if not the same, function.

According to the tale these various pig or swine towns, stream and fortresses and sties are so called because Gwydion passed through them with the pigs but it is now universally accepted that this is an onomastic tale, i.e. Gwydions route was invented by the story-teller in order to explain the numerous occurrences of Pig-towns etc. that exist throughout Wales. This apparently reasonable deduction is, I think, quite wrong, for Gwydions flight with the pigs of the South inscribes across the landscape of Wales two interlocking circles, one above the other, and overlapping at the centre of the country. In other words this devious route is but a part of a larger, and very specific design. 

My suspicions that Gwydion's circular motions in Math were related to his traditional association with the Milky Way were partly confirmed whilst studying the map entitled Place names in the Mabinogi in J.K. Bollard's translation (with Anthony Griffiths photographs) of The Mabinogi, and subtitled Legend and Landscape of Wales. This is possibly the most accurate map of the route yet compiled. In studying Gwydion's route on this map, ones first inclination is to join the pig sties or dots, as it were, by straight lines, however, I came to realise that the 'pig route' could be better described as two curves or arcs, one stretching from west Wales across mid-Wales and the other along the north coast, these two arcs are joined by a straight, not quite north-south, line from Mochdref in Powys to Mochdref in Creuddyn and passing through the comote of Mochnant. What is really striking and surprising is that these two arcs, when extended, appear to be segments of two circles with identical radii which overlap or intersect in mid-Wales. These intersecting circles cover the whole length of Wales, north to south, as well as the width, with the exception of Anglesey and the peninsulas of Lleyn and Dyfed, (approximately modern Pembrokeshire).


The underlying structure of the Pig Route.

You will notice in JK Bollard's map that:
a. The two arcs describing the south and north sections of Gwydion's route can be extended to form two circles of exactly equal circumference.
b. A line drawn through the centres of the two circles reveals that they are tilted several degrees west from true north. As a result of this, a line drawn through the two points where the circles intersect has a noticeable slant, rising from west to east. (This is very significant as I will demonstrate shortly).
c.The part of the route represented by the line Mochdre - Mochnant - Mochdre / Creuddyn perfectly dissects the northern circle. (The angle this line takes is not north - south, nor does it follow the axis of the centres of the two circles).
d. The angular distance between the styes ranges through: 12.5°, 20°, 22.5°, 30°, 30°, 40°. I may be wrong but this seems to be a very neat sequence, hardly random.
e. Utilising the centres of the two circles a Vesica Piscis can be drawn, and it transpires that the ratio between the inner and outer circles is the same as the ratio between the Tropics and the Celestial Equator found on the stereographic projections of medieval celestial charts and astrolabes.

According to this analysis Gwydion's starting point is neither at Rhuddlan Teifi nor at the sty of Glyn Cuch in Emlyn, (the 'north-easternmost cantref' of Dyfed) - the location of the (seven) swine as given in Triad 26 - but at a point in between, in fact at precisely the meeting place of the three boundaries of the territories of Ceredigion, Dyfed and Ystrad Tywi. This would have been a very sensible place, for all sorts of reasons, for the exchange of the swine with Gwydions magical creations to have taken place. Though the author doesn't actually specify where that exchange took place, we are merely told that, 'He came to Pryderi with the horses and the dogs', I feel strongly that he must have had this site, or a ford somewhere close by, in mind.

To explain. The First Branch begins with these words, 'Pwyll, Prince of Dyfed, was lord over the seven cantrefs of Dyfed.', but by the end of the First Branch Pryderi has extended his father's territory to include, 'The three cantrefs of Ystrad Tywi and the four cantrefs of Ceredigion'. Now it is obvious that if the pigs were being kept at Glyn Cych, which is south of the Teifi, then they were in Dyfed, this therefore is the 'country' which Pryderi means when he informs Gwydion that the pigs cannot leave because of a covenant between him and his country. But Gwydion's initial meeting with Pryderi takes place at Rhuddlan Teifi which is north of the Teifi and in Ceredigion. When Gwydion meets with Pryderi the following morning the story implies that Pryderi has the pigs with him, they must therefore have removed from Rhuddlan Teifi in Ceredigion to within the confines of the 'country' of Dyfed and the nearest entry point into Dyfed from Rhuddlan Teifi is precisely at the point where his three territories of Dyfed, Ceredigion and Ystrad Tywi meet. This must, therefore, have been the starting point for Gwydion's 'circuitous flight' with the pigs of Annwfn.

WJ Gruffydd noticed that the first part of the route would have taken Gwydion and the pigs through the district of Creuddyn, meaning 'Stronghold of the Sty' between the rivers Rheidol and Ystwyth, 'which he would pass on his way north and east'. But the first named stopover is in 'the uplands of Ceredigion, the place that is still called for that reason Mochtrev'. This must refer to the township or hamlet of Nant y Moch, meaning 'Pig's Stream', which was flooded during the creation of the Nant y Moch Reservoir in 1964. Accepting this and acknowledging some uncertainty in the exact siting of these 'pigsties', account should also be made for the expertise of the map's compiler, (J.K. Bollard) and the care taken to provide as accurate a map as possible.

The details in the build up to 'The Journey of the Swine', (to use Gruffydd's term), and those immediately following, are pertinent to understanding that the author of Math intended that this route could be understood to have occurred on two distinct levels. There is a terrestrial component and a celestial component, the terrestrial route appears unnecessarily slow and circuitous, hence the author has Math's men quip "Strange how very slowly you have journeyed!" However, I hope to show that Gwydion, in his 'disguise' as the constellation figure of Cygnus the Swan, actually did take the swiftest route possible on his return journey to Caer Dathyl. The numbers in the text provide some obvious clues:

a. When Gwydion is disguised as a Pencerdd or Chief Bard, (perhaps he is wearing a tugen and carrying a crwth. or Swan feather mantle and Lyre) 12 men travel to the South.
b. Pryderi cannot part with the swine unless 'they have bred double their number in the land.'
c. Gwydion conjured, ('created by illusion') in exchange the for the (7) swine, 3 sets of 12 magical items; 12 Stallions, 12 Hunting Dogs and 12 Golden Shields (these last 'he had made by magic out of toadstool'). I.e. 36 items in all.
d. It is necessary that Gwydion and his men should travel in haste, via the quickest route, because 'the magic will not last but from one time to another'. 'i.e. for twenty-four (24) hours'.
e. The mustering of the 21 cantrefs of the South.

All of this is relevant in determining that, in the intention of the author, the actual route taken by Gwydion was as much celestial as it was terrestrial. These details appear to refer to the temporal divisions, the coordination system and constellation figures which characterised the celestial charts, and the astrolabes, of the early Middle Ages. To take the number 12 first, most people would immediately associate 12 with the zodiac, but it is also an important subdivision on the outer ring of the mater of an astrolabe or of a constellation chart. This outer circle was divided into 24 hours, but was very often written as two consecutive sets of 12 hours. The circle of 24 hours was accompanied by a second ring which counted off the 360° and which was further arranged into 36 decans of 10° each, primarily for astrological purposes, (there were 3 decans or faces for each of the 12 signs of the zodiac). Furthermore it is important to point out here, though it may seem obvious, that a circle contains 12 'wedges' of 30° and this division is also a convention commonly found on ancient star charts and astrolabes. It is important to note also that according to Ptolemy's scheme, if we include the zodiacal constellations, there were 27 constellations in the northern hemisphere and 21 constellations in the southern hemisphere.

It is remarkable that when the author of Math describes Gwydion in a company of 12 and conjuring 3 sets of 12 magical items, (36 in all) whose efficacy would only last for 24 hours, followed by the mustering of 21 southern cantrefi, he perfectly duplicates the number of constellations in the southern hemisphere, the temporal divisions, the coordination system and the major operation of the mechanics of a medieval astrolabe.

The order in which Gwydion conjures his magical items is revealing and it is possible that the 12 horses, the 12 hounds and the 12 shields are intended to be understood as a sequence of three particular southern constellations, namely Centaurus, Canis Major and Cetus respectively. Both the stallions and the dogs are described as ’black but white breasted’, which easily fits this idea. Canis Major was frequently depicted by many of the later celestial cartographers, (Hevelius 1687, Zahn 1696, Flamsteed 1729, Thomas 1730 etc.) as a greyhound or hunting hound wearing a golden collar, but whether this reflects earlier tradition is hard to say, though it would be impossible to argue that the 12 golden collar wearing greyhounds in Math had influenced these giants of the Golden Age of Celestial Cartography, perhaps indicating the use of a common source. All three of these constellation figures are contained within three consecutive 30° wedges set 90° apart, (we are interested only in the curled tail of Cetus) as depicted on a conventional stereographic star chart of the Southern Hemisphere, centered on the south ecliptic pole and based on the star catalogues of Eratosthenes or Ptolemy. So, precisely 12 Centaurs (minus human torso) would be required to make a full circle and exactly 12 Canis Majors would also be required to do the same.

The tail of Cetus as shield requires explanation. My idea the that the author of Math was thinking of this tail, which was always depicted as wound into a circle, as the inspiration for golden shields made from mushrooms, may at first appear not very convincing. But I think this must have occurred to the author of Math also, and so he omits their magical construction from his narrative. (The way they are introduced sounds suspiciously like a cue to an audience "and the twelve golden shields you see over there", and then an aside, 'Those he had made by magic out of the toadstool').

Yet, I believe his scheme required an image from this 30° section containing the coiled tail of Cetus which reminded him of a mushroom or toadstool and then of a round shield or a buckler, and I think that the author has also taken this opportunity to convey an image of a star map containing the 360° radials. In the Mabinogi of Math this image of the heavens is made explicit through the form of three very effective visual puns. Gwydion conjures 12 golden shields from mushrooms. Consider a diagram of an upturned, open cap mushroom or toadstool; you would see a slim outer rim of flesh surrounding the gills which radiate from a central circle representing the stalk. To turn this into a diagram of a round shield or a targe, with a central boss, no changes need to be made to the original diagram of the mushroom. Now, to turn this into a planispheric template of a celestial hemisphere, no changes need to be made to the original diagram of the mushroom. According to James E. Morrison 'most astrolabes included several plates (tympans) covering a reasonable range of latitudes'. Six plates per astrolabe seems to have been the norm. Is it possible that in the passage "and the twelve golden shields you see over there", a reference is being made to 12 polished brass tympans? It is easy to see how these could be compared with twelve golden shields and 12 mushrooms. Evidently, magician Gwydion was a master of optical illusion and understood the power of suggestion. But Welsh tradition insists that he was also an Astronomer.



360ยบ Planispheric projection (derived from Schaubach), Mushroom and Shield

The motif of the gift of a golden shield inscribed with the constellations and the Milky Way has a very ancient provenance for it occurs in the fountain-head of Western European literature, in Homer’s Iliad. This is the famous shield the smith god Hephaistos forged for Achilles.

First he (Hephaistos) began to make a huge and massive shield, decorating it all over. He put a triple rim round its edge, bright and gleaming, and hung a silver baldric from it. The body of the shield was made of five layers: and on its face he elaborated many designs in the cunning of his craft. On it he made the earth, and sky, and sea, the weariless sun and the moon waxing full, and all the constellations that crown the heavens.

The author of Math describes Gwydion's magical activity thus 'And then he betook him to his arts, and began to display his magic'. This phrase bears a striking resemblance to Homer's description of Hephaistos, (just quoted) who is also engaged in the making of a magical golden shield '...he elaborated many designs in the cunning of his craft'.


Golden Shield / Planispheric Tympan



The 12 divisions with Earth at the centre (According to a Macrobius MS)

In the Chapter on Dillus the Horseman I provided an argument which proposed that the author of Culhwch and Olwen was identifying the Boar which Dillus singes over his fire and the giant Boar Twrch Trwyth with the constellation then known as Therion, now known as Lupus. As I have said Therion or the Wild Beast has elsewhere been identified as representing the Erymanthian Boar and I have further argued that it seems likely that this constellation could also be thought of as the 'roast meat' which the centaur Pholus the Horseman singes over his fire, (he of course ate his raw) whilst entertaining Hercules before the hunt for the Erymanthian Boar. I suggested there that a connection existed, other than their shared 'seven-ness' and their supernatural provenance, between the boars in Culhwch and the pigs of Pryderi in Math. I think that the author of Math also had the constellation Therion (pars pro toto) in mind when he was thinking of the pigs of Annwfn.

Horse, Hound, Shield, Pig.



12 Horses



12 Hounds



12 Shields


Cambriae Typus

Gwydion's route with the swindled swine seemed to me to be evidence for a sophisticated and precise cartographical knowledge of Wales at the time that Math was set down in writing, moreover the text seemed to be implying that this knowledge was linked somehow to the stars and the constellations, or better, to the astrolabe. If this was truly the case I wondered, though it hardly seemed likely, if there was any material elsewhere which might throw some light on this tantalising evidence. So I Google Imaged 'ancient + map + Wales'. The first map that came up was the map of Wales by Humphrey Lhuyd called Cambriae Typus. Cambriae Typus was the earliest map specifically of Wales to be printed, it was first published as a fly sheet in Ortelius' Theatrum Orbis Terrarum in 1573. I knew this map from a lecture I attended some 25 years ago and had all but forgotton about it. I realized - I could see, immediately, that I had found the evidence I barely dared to suspect might be there, simply by pressing a computer key.

Cambriae Typus belongs to an apparently short-lived cartographic tradition with characteristics discernible in several other of the earliest printed maps from the late sixteenth century. Whoever the original authors of these maps were, they organised land into figures and animals in much the same way as the ancients constellated the heavens. This was achieved by subtly altering the course of rivers, lakes and coastlines so as to emphasise the zoomorphic and anthropomorphic imagery which these geographical features suggested; often towns churches, monasteries, hills and mountains were drawn in such a way as to imply facial features or other details. For example the Map of the British Isles including Ireland, as drawn by Abraham Ortelius in 1579, contains a half hidden image known as 'The Angel of Lincoln'. His 1573 map of Ireland appears as the head of a bearded man whose 'eye' is the Lake of The Red Eye. Similarly the 'Old Man of Scotland' first appears in printed maps of this period. Another map of Northern Europe figures Scandinavia as a lion pouncing on Denmark which appears to be a mouse. Cambriae Typus contains at least twelve 'hidden' images, the most well known of which is the dragon aspect of the map which was recognised by everyone in Wales up until recent times, in fact the map was usually hung with West at the top to make the dragon of Wales even more obvious. But turned with North at the top Wales is also the head of a pig, Herefordshire is a dog, (which bears comparison with Canis Major), a head of a goat for Powys, a head of a horse for the Lleyn Peninsula, a salmon for Ceridigion, Anglesey is made up of two human male heads, Janus-like, a Cetus like sea monster makes up Deheubarth, a Giants head dominates Harlech, Denbighshire has two female heads wearing medieval headdresses.The Wirral has become a slender woman.



The 'Angel of Lincoln'


The Old Man of Scotland


The King of Ireland



The Dragon of Wales



Zoomorphic Wales. Note the rounded shape of South Wales and the slanting line of text naming the Irish Sea; also note the political divisions – Gwynedd, Powys and Deheubarth – they are the same political divisions found in Math vab Mathonwy.


John Speed's map of 1610 appears modern by comparison and contains none of the imagery discernible in the above series of maps.

As mentioned, I attended a lecture in the mid-eighties where these strange maps were first brought to my attention. The lecturer suggested that they may be much older than their first appearance in print, pointing out that other contemporary maps do not share these odd characteristics. One only has to compare them with Christopher Saxton's maps of England and Wales published in 1579, or John Speed's maps of Wales published somewhat later in 1610 to see how 'old school' they appear, although I didn't agree with the lecturer's suggestion that they may have originated with the Druids. It seemed more likely, to me anyway, that they could very well be the products of monastic institutions where astrolabes had been used since at least as early the 1090's when Prior Walcher of the monastery of Great Malvern pointed his astrolabe at an eclipse of the moon. As Jonathon Lyons has pointed out this was a method the early Abbasid astronomers had used 'to establish the difference in geographic coordinates between cities and other important places'. By the mid-12th century, Adelard of Bath's translation of al-Khwarizmi's zij al-Sindhind and the availibility of Euclidian texts '...allowed the vast magnitudes involved in measuring the celestial bodies to be captured and expressed in terms of “angular distance” relative to the earth or to one another. It also allowed the accurate calculation and mapping of terrestrial and celestial positions, either on a sphere or “projected” onto a two-dimensional map or chart, or onto the faceplate of an astrolabe'.

It is certain that at least one ambitious mapping project was undertaken in Wales by monks at an early period for, according to the NLW website 'The earliest recorded map specifically of Wales was a manuscript map (owned) by Giraldus Cambrensis (Gerald of Wales) produced in ca. 1205 and entitled “Totius Kambriae Mappa”. This map is referred to in a letter of Gerald’s and several 17th century sources state that it was at Westminster Abbey. The map is said to have shown no less than 43 towns and villages in Wales. By 1780 the map’s whereabouts were unknown and it was probably destroyed in a fire at the Abbey’s Library in 1695'.iii And in 1889 Henry Owen opined, '...what is the greatest loss of all, a map of the whole of Wales, with the mountains, rivers, towns, castles, and monasteries carefully set out...Both Bishop Tanner and Wharton state that the " Totius Kambriae Mappa" was in existence in the library at Westminster Abbey. Wharton says that forty-three towns or villages in Wales were marked on it'.iv Now it is very curious that Humphrey Lhuyd served as Member of Parliament for East Grinstead in 1559, and as the Member for Denbigh Boroughs in 1563 making it highly likely that this bookish man was a visitor to the library at Westminster and that he was familiar with Totius Kambriae Mappa. I wonder if this was the source for Humphrey's map CambriaeTypus.

Dr. F.J. North wrote a "classic" monograph entitled 'Humphrey Lhuyd's Maps of England and of Wales', on the origins of these maps, he made several crucial observations concerning Cambriae Typus, (italics are mine):
a. "A critical examination of the map leads to the conclusion that it cannot have been the direct outcome of a new personal survey of the area".
b. "It would seem that we must seek for a method whereby a map could be prepared, more accurate in its general shape and proportions than in minor details".
c. "...the Glamorgan coast is given a diagrammatically rounded outline". (In fact, it forms part of a perfect circle, with the upper 'coast' of Ceredigion providing the north western arc of this circle).
d. "...the displacement of the south coast is not due merely to an inclination of the axis of the map, because all the key points in the north are fairly correctly placed. The change takes place suddenly along an east-west line through Aberdovey, ... It is interesting to note that this displacement takes place about midway between the top and the bottom of the engraved area".
e. "Lhuyd was careful to point out that the manuscript sent to Ortelius was not "beautifully set forth in all poynctes," but would serve the purpose if "certain notes be observed," and it seems likely that the original manuscript was in four sheets, or that the northern and the southern portions were each drawn on either side of a large folded sheet. If the co-ordination of such sections had not been carefully indicated, the engraver may well have been responsible... for much that makes the map appear inaccurate".

Something which Dr. North did not make comment upon is that there seems to be no apparent reason why the three lines of text naming the Irish Sea in Latin, Britannis and Anglis have been set down at an odd slant, rising from west to east, when all other text, (except river names) had been set down parallel with the northern and southern edges of the map. This quirk only appeared on the very first edition of the map and was 'corrected' for all subsequent (almost fifty) editions. The top of the line "VERGIVIVM SIVE HIBERNICVM MARE" is in perfect accord with the line generated by the intersection of the two circles describing Gwydions route with the swine, (according to J.K. Bollard's map). It occurred to me that this line - VERGIVIVM SIVE HIBERNICVM MARE- is the fossilised remains of the original centre of the map.
In the composite map below the bottom layer is J.K. Bollards map, visible in the wedge shape between the two halves of Lhuyd's map. The second layer is Humphrey Lhuyd's map, but with the two halves, (following Professor North that 'The change takes place suddenly along an east-west line through Aberdovey') restored using the interlinked circles derived from Bollards map as the template. The top layer consists of Schaubach's stereographic projections of the constellations based upon the Catasterismi of Eratosthenes. The two circles generated from Gwydion's 'circuitous flight' with the swine will now be seen to be the tropics of Cancer and of Capricorn. I have a great deal of evidence which suggests that Gwydion is to be equated with Cygnus (to Christians the Northern Cross) and that the constellation figure we now call Lupus is to be equated with the Underworld swine. I have highlighted these figures. If the two hemispheres are rotated so that the line Mochdre-Mochnant-Mochdre passes through Deneb, the alpha star of Cygnus, then the Prime Meridian, which passes through the First Point of Aries and the First Point of Libra will form two sides of an equilateral triangle. Finally, the equators of the two charts now interlink to form a perfect Vesica Piscis, one of the most sacred symbols of Christian iconography. Gwydions Route with the Pigs of Annwfn was not only the swiftest possible path from Glyn Cuch to Caer Dathyl, it was the only possible path.

Cambriae Typus Vesica Piscis

I therefore conclude that:

1 Gwydions route with the pigs is a record of a survey of Wales which used an astrolabe as the principal means of surveying.
2 The purpose of the survey was twofold. a. To produce a map of Wales. b. To throw a protective, sacred talisman, in the form of the Vesica Piscis over the land.
3 The map which resulted from this survey may have been the original of the now lost Totius Kambriae Mappa of Geraldus Cambrensis, and it would be surprising if copies weren't made of this map, one at least may still exist but in a slightly bungled form as Humphrey Lhuyd’s Cambriae Typus.


Which came first? The Map of Wales or the Flag of Wales?



Math Vab Mathonwy (The Stealing of the Swine)



MATH the son of Mathonwy was lord over Gwynedd, and Pryderi the son of Pwyll was lord over the one-and-twenty Cantrevs of the South; and these were the seven Cantrevs of Dyved, and the seven Cantrevs of Morganwc, the four Cantrevs of Ceredigiawn, and the three of Ystrad Tywi.



At that time, Math the son of Mathonwy could not exist unless his feet were in the lap of a maiden, except only when he was prevented by the tumult of war. Now the maiden who was with him was Goewin, the daughter of Pebin of Dol Pebin, in Arvon, and she was the fairest maiden of her time who was known there.



And Math dwelt always at Caer Dathyl, in Arvon, and was not able to go the circuit of the land, but Gilvaethwy the son of Don, and Eneyd the son of Don, his nephews, the sons of his sister, with his household, went the circuit of the land in his stead.



Now the maiden was with Math continually, and Gilvaethwy the son of Don set his affections upon her, and loved her so that he knew not what he should do because of her, and therefrom behold his hue, and his aspect, and his spirits changed for love of her, so that it was not easy to know him.



One day his brother Gwydion gazed steadfastly upon him. "Youth," said he, "what aileth thee?"



"Why," replied he, "what seest thou in me?"


"I see," said he, "that thou hast lost thy aspect and thy hue; what, therefore, aileth thee?"

"My lord brother," he answered, "that which aileth me, it will not profit me that I should own to any."

"What may it be, my soul?" said he.

"Thou knowest," he said, "that Math the son of Mathonwy has this property, that if men whisper together, in a tone how low soever, if the wind meet it, it becomes known unto him."

"Yes," said Gwydion, "hold now thy peace, I know thy intent, thou lovest Goewin."

When he found that his brother knew his intent, he gave the heaviest sigh in the world. "Be silent, my soul, and sigh not," he said. "It is not thereby that thou wilt succeed. I will cause," said he, "if it cannot be otherwise, the rising of Gwynedd, and Powys, and Deheubarth, to seek the maiden. Be thou of glad cheer therefore, and I will compass it."

So they went unto Math the son of Mathonwy. "Lord," said Gwydion, "I have heard that there have come to the South some beasts, such as were never known in this island before." 

"What are they called?" he asked. 
"Pigs, lord." 
"And what kind of animals are they?" 

"They are small animals, and their flesh is better than the flesh of oxen."



"They are small, then?"



"And they change their names. Swine are they now called."



"Who owneth them?"



"Pryderi the son of Pwyll; they were sent him from Annwn, by Arawn the king of Annwn, and still they keep that name, half bog, half pig."



"Verily," asked he, " and by what means may they be obtained from him?"


"I will go, lord, as one of twelve, in the guise of bards, to seek the swine."

"But it may be that he will refuse you," said he. "My journey will not be evil, lord," said he;

"I will not come back without the swine."

"Gladly," said he, "go thou forward."

So he and Gilvaethwy went, and ten other men with them. And they came into Ceredigiawn, to the place that is now called Rhuddlan Teivi, where the palace of Pryderi was. In the guise of bards they came in, and they were received joyfully, and Gwydion was placed beside Pryderi that night.

"Of a truth," said Pryderi, "gladly would I have a tale from some of your men yonder." 

"Lord," said Gwydion, "we have a custom that the first night that we come to the Court of a great man, the chief of song recites. Gladly will I relate a tale." Now Gwydion was the best teller of tales in the world, and he diverted all the Court that night with pleasant discourse and with tales, so that he charmed every one in the Court, and it pleased Pryderi to talk with him.
And after this, "Lord," said he unto Pryderi, "were it more pleasing to thee, that another should discharge my errand unto thee, than that I should tell thee myself what it is?" 
"No," he answered, "ample speech hast thou." 
"Behold then, lord," said he, "my errand. It is to crave from thee the animals that were sent thee from Annwn." 
"Verily," he replied, "that were the easiest thing in the world to grant, were there not a covenant between me and my land concerning them. And the covenant is that they shall not go from me, until they have produced double their number in the land." 

"Lord," said he, "I can set thee free from those words, and this is the way I can do so; give me not the swine to-night, neither refuse them unto me, and to-morrow I will show thee an exchange for them."



And that night he and his fellows went unto their lodging, and they took counsel. "Ah, my men," said he, "we shall not have the swine for the asking." 
"Well," said they, how may they be obtained?" 

"I will cause them to be obtained," said Gwydion.



Then he betook himself to his arts, and began to work a charm. And he caused twelve chargers to appear, and twelve black greyhounds, each of them white-breasted, and having upon them twelve collars and twelve leashes, such as no one that saw them could know to be other than gold. And upon the horses twelve saddles, and every part which should have been of iron was entirely of gold, and the bridles were of the same workmanship. And with the horses and the dogs he came to Pryderi.



"Good day unto thee, lord," said he. "Heaven prosper thee," said the other, "and greetings be unto thee." 

"Lord," said he, "behold here is a release for thee from the word which thou spakest last evening concerning the swine; that thou wouldst neither give nor sell them. Thou mayest exchange them for that which is better. And I will give these twelve horses, all caparisoned as they are, with their saddles and their bridles, and these twelve greyhounds, with their collars and their leashes as thou seest, and the twelve gilded shields that thou beholdest yonder." Now these he had formed of fungus. "Well," said he, "we will take counsel." And they consulted together, and determined to give the swine to Gwydion, and to take his horses and his dogs and his shields.



Then Gwydion and his men took their leave, and began to journey forth with the pigs. "Ah, my comrades," said Gwydion, "it is needful that we journey with speed. The illusion will not last but from the one hour to the same tomorrow."



And that night they journeyed as far as the upper part of Ceredigiawn, to the place which, from that cause, is called Mochdrev still. And the next day they took their course through Melenydd, and came that night to the town which is likewise for that reason called Mochdrev, between Keri and Arwystli. And thence they journeyed forward; and that night they came as far as that Commot in Powys, which also upon account thereof is called Mochnant, and there tarried they that night. And they journeyed thence to the Cantrev of Rhos, and the place where they were that night is still called Mochdrev.



"My men," said Gwydion, "we must push forward to the fastnesses of Gwynedd with these animals, for there is a gathering of hosts in pursuit of us." So they journeyed on to the highest town of Arllechwedd, and there they made a sty for the swine, and therefore was the name of Creuwyryon given to that town. And after they had made the sty for the swine, they proceeded to Math the son of Mathonwy, at Caer Dathyl. And when they came there, the country was rising. "What news is there here?" asked Gwydion.

"Pryderi is assembling one-and-twenty Cantrevs to pursue after you," answered they. "It is marvellous that you should have journeyed so slowly."

"Where are the animals whereof you went in quest?" said Math. "They have had a sty made for them in the other Cantrev below," said Gwydion.












Notes

1The Mabinogi. Legend and Landscape of Wales. Translation by: John K. Bollard. Photography by: Anthony Griffiths. Gomer Press. Llanndysul. 2006.
2
iSee 'The Astronomy of Math vab Mathonwy' for 'Caer Dathyl'.

iiiNLW Early Mapping of Wales (Retrieved 12.11.11.)